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  • country: USA
  • brief: An elderly couple will stop at nothing to make it to the bank
  • Michael Skolnick, Eden Stelmach
  • Runtime: 1h 12 Minutes
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The gliksmans download mp3. In theaters: September 27th, 2019 The Gliksmans Copyright © 2016 Indican Pictures Synopsis Barry and Barbara Gliksman, a spritely octogenarian couple, go through their morning routine: a big breakfast, a handful of pills, some bickering, plus a quick trip to the bank; a trip that goes wildly awry when they notice they’re being tailed by an aggressive truck driver. As the two navigate their way through Los Angeles something weird begins to happen – their simple trip turns into an absurd and fantastical escapade with psychedelics! More Genre Comedy, Drama Director Michael Skolnick Actors Jon Jacobs, Ed Asner, Bryna Weiss, Cloris Leachman, Richard Portnow, Ron Jeremy, Christopher Estrada Writers Michael Skolnick Run Time 1 hour 13 minutes More.

 

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Info Clapham's local cinema, screening the best art-house, crossover and quality mainstream film making. 📍London, UK

Creator: Rachel Tunnard
countries: UK
Average Ratings: 6,7 / 10 stars
genre: Drama
Story: Inspired by global phenomenon of military wives choirs, the story celebrates a band of misfit women who form a choir on a military base. As unexpected bonds of friendship flourish, music and laughter transform their lives, helping each other to overcome their fears for loved ones in combat
runtime: 112 Min
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Reporter - John J Fink
Info Filmmaker, educator, cinephile, artistic director @buffalofilmfest, critic & writer at @thefilmstage

 

runtime: 101Minute

country: UK, USA

A pair of teenage girls in rural Pennsylvania travel to New York City to seek out medical help after an unintended pregnancy

Release year: 2020

Cast: Sidney Flanigan

 

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Never Rarely Sometimes Always Download movies. Never rarely sometimes always download movie hd. Never Rarely Sometimes Always download movie. Never rarely sometimes always download movie download. The story at the center of Never Rarely Sometimes Always is deceptively simple, but the film Eliza Hittman builds around it is extraordinary. Autumn (Sidney Flanigan), a Pennsylvania teenager with an unwanted pregnancy, travels to New York City to obtain an abortion. Hittman doesn’t try to moralize or exaggerate her circumstances in order to make Autumn more relatable or likable, so what’s left — a statement of facts regarding the number of hoops women have to jump through in order to have autonomy — is remarkable, and remarkably affecting. By the end of the story, “never rarely sometimes always, ” which seems easy to forget or mess up, is an unforgettable phrase rather than just a litany of related words. It’s clear from the outset that the world around Autumn is stuck in the past. At her school talent show, the kids dress up in ’50s and ’60s outfits and sing oldies. Only Autumn seems dialed into the present day, as her rendition of the 1963 song “He’s Got the Power” makes it sound like modern indie pop. That antiquated sense persists as Autumn visits a women’s health clinic in her hometown. When she asks about the possibility of an abortion, the clinic workers show her a pro-life video and harp about her “beautiful baby. ” So Autumn decides to go to New York, where, as a minor, she won’t have to get her parents’ consent to obtain an abortion. When she tells her cousin Skylar (Talia Ryder) what she plans to do, Skylar wordlessly steals money from the drawer of the store where they work (where their manager, every time they drop off the cash from the registers, holds onto and kisses their hands) to pay for their bus tickets into the city. Flanigan and Talia Ryder in Never Rarely Sometimes Always Photo: Focus Features Skylar and Autumn’s relationship gives the audience a glimmer of hope to hang onto, and makes the film empathetic rather than potentially voyeuristic or totally miserable, as the steps Autumn has to take grow more and more complicated. One facility sends her to another that will only take her the next day. The procedure takes longer and is more expensive than she bargained for. She and Skylar run out of money for the subway and the bus back. The problems only pile up. But at least they have each other. The obstacles they face aren’t limited to the difficulty of getting an abortion, though — they encounter sexual harassment and male aggression everywhere they go. Their store manager is just the beginning. Autumn’s stepfather refers to the family dog as a “slut, ” and defends his language by saying the dog likes it. Skylar and Autumn face a creep on the New York subway, and a young man on the bus to New York who touches Skylar to get her attention. The fight for autonomy is on all fronts, from the right to get an abortion to the right to simply exist without feeling endangered. Hittman gets all this across simply by portraying the unfolding events honestly. Everything that happens is relatively mundane, and the sense of dread hanging over the proceedings only reflects that the world we live in can be frightening, particularly for those with little recourse. Nothing in the movie feels exaggerated or unbelievable, making Autumn’s struggle all the more devastating. The things occurring to her occur to real women every day, and cinematographer Hélène Louvart makes the unfolding events feel truer by going handheld, shakily following the young women around the city. Flanigan in Never Rarely Sometimes Always. The slow build-up — and Autumn and Skylar’s stoicism through it all — makes it all the more affecting when the reasoning behind the film’s title is revealed, as Autumn goes through a pre-abortion interview at Planned Parenthood, and is told to answer the questions asked with “never, ” “rarely, ” “sometimes, ” or “always. ” She’s put on a brave face thus far, but confronted with actual care and kindness — and the sense that she’s finally in a somewhat safe space — that tough front begins to crack. Her resilience doesn’t make her unfeeling, and the simple freedom to be vulnerable is momentous. The clarity and care with which Hittman handles a relatively straightforward story lends Never Rarely Sometimes Always an urgency greater than it would have if she tried to moralize about making proper care more easily accessible to (and less stigmatized for) women. There are no unnecessary details (even the identity of Autumn’s baby’s father is never mentioned), boiling the focus down to just two young women. The ordeal they go through is preventable, but in the immediate moment, where it’s not, thank God they aren’t alone. Never Rarely Sometimes Always is now available on VOD and digital platforms. Vox Media has affiliate partnerships. These do not influence editorial content, though Vox Media may earn commissions for products purchased via affiliate links. For more information, see our ethics policy.

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Studios: How bout being more cautious and making a Marvelish movie Nolan: This is no time for caution. Never rarely sometimes always download movie video. Haha i loved how they were in onesies, its so cute! 😂 Lilys poems were also really funny. Never Rarely Sometimes Always Download movie page imdb. 36:00 izumi finally unlocks her susano. What a vile minded movie. Never rarely sometimes always download movie full. Editors’ Note: With full acknowledgment of the big-picture implications of a pandemic that already has claimed thousands of lives, cratered global economies and closed international borders, Deadline’s Coping With COVID-19 Crisis series is a forum for those in the entertainment space grappling with myriad consequences of seeing a great industry screech to a halt. The hope is for an exchange of ideas and experiences, and suggestions on how businesses and individuals can best ride out a crisis that doesn’t look like it will abate any time soon. If you have a story, email. With movie theaters on indefinite shutdown, releases are either being delayed, or they are arrangements are being made for VOD play. And while people are at home looking for great VOD content right now and those films will get seen, losing a theatrical release can feel like a bitter blow. Not only in terms of potential award qualification, which requires a theatrical release, but also because the theater still means so much to so many—perhaps simply because it upholds the pure magic of the movies. Related Story Coping With COVID-19 Crisis: A Scandi Perspective; SF Studios On How Virus Challenge Sits In 101 Years Of History & Sweden’s Lack Of Lockdown For first-time actress Sidney Flanigan and newcomer Talia Ryder, starring in Eliza Hittman’s Never Rarely Sometimes Always was their big break, but after only two days in theaters, shutdowns forced the film to move to VOD on Friday, robbing the women of the full release they so richly deserved. The film follows 17-year-old Autumn (Flanigan) as she is forced to leave her home town to find an abortion, supported by her cousin Skylar (Ryder). Along the way, the young women deal with sexual harassment at their supermarket job, a creepy stepfather (Ryan Eggold) and the manipulative advances of an apparently ‘nice’ guy they meet on the bus to New York (Théodore Pellerin). The film’s subject of abortion is especially pertinent right now, given that several states have deemed the procedure ‘non-essential’, and are therefore refusing to provide any terminations during the pandemic. As Flanigan points out, “With these people trying to block abortions, and trying to take advantage of the pandemic in order to further their own agendas, I think the film is very relevant. ” Flanigan and Ryder connected via phone with Deadline to discuss the change in the film’s release, how they’re handling isolation and their experience embodying this poignant and vital piece of storytelling that matters now more than ever. DEADLINE: How are you both doing in all this isolation right now? SIDNEY FLANIGAN: I’m doing pretty alright. I mean, I’ve mostly just been spending a lot of time in my house watching television, reading books, playing video games, playing guitar. I really like going out and seeing live music, so I haven’t been able to do that in a while. But I did do this virtual music festival called Coping with Dystopia with a bunch of friends of mine around the country. It went from 5:00pm to midnight, and a lot of artists played. We’ve raised $1, 500 to donate to the Prison Policy Initiative, which is helping people in prisons. They’re still doing them, like a little conference every week. They have a Facebook page and an Instagram page. People can find it on both of those. There are a lot of artists contributing. TALIA RYDER: I’m doing OK. It’s just that things have been very different lately. I mean, I’m a senior in high school and not getting senior spring has been a little tough. We’re doing classes on Zoom, which is like FaceTime. We’re lucky enough to live in a time where friends and family are really accessible, with phones and stuff so I’ve been lucky enough to be able to keep in touch with loved ones that are not close by. DEADLINE: This film is so important, especially with some states stopping abortion right now, because they consider it a non-essential medical procedure during the pandemic. You’ve made this beautiful film that’s really representative of young women. It will be seen by a lot of people on VOD, but how do you feel about losing the full theatrical release? FLANIGAN: I think it’s the kind of movie that you go out and see it a theater. And then you go to dinner with your friends and you talk about it, and there’s a discussion to be had. But I still don’t think it’s the worst thing for it to be going straight on demand, as much as I would have loved for it to have a theatrical release because of obvious reasons. But I mean, the COVID thing is affecting everybody, and it was unexpected, and it’s out of our control. So, all we can really do is go forward. RYDER: Like Sidney was saying, while we had hoped to delay the film’s release, so people could see it after this whole thing was over, right now, there’s not really an end [to theater closures] in sight. But we’re really grateful that the public will have the opportunity to see it now, because I still think that there’s a great deal of urgency in seeing the film right now. Reproductive rights are being even more attacked with everything going on. And while conversations may not be able to be had in a more traditional standpoint, with technology and with other resources that we have now, I think we can still make that happen. DEADLINE: How did you both get involved in the film? FLANIGAN: Eliza’s partner, Scott Cummings, was making a film in Buffalo, and I happened to be hanging out on the fringes. We met in passing, and they saw posted videos of me playing music, and they watched them, and followed me. And then eventually they asked me to audition for the film. DEADLINE: How did you feel about the topic of the film? FLANIGAN: I mean the topic has always been important to me. So, being presented with an opportunity to be useful, and to be able to contribute to telling that kind of story? That was a done deal. RYDER: This is Talia. I had more of a traditional audition experience than Sidney. I went in and read in an audition room, and eventually got to meet Eliza and Sidney and read with her. But it was kind of the same for me seeing the script for the first time, and just getting to look at Eliza’s approach to the topic. It didn’t really take a right or wrong angle. It does tell an honest story of what one girl was dealing with, and it humanized the issue, which is something I hadn’t really seen before, and something that was really intriguing to me. And also, the prevalence of women supporting women, which you can see in both of our characters, is something that unfortunately is rare in film, and it really compelled me to want to be a part of the project as well. DEADLINE: It also tells a story of sexual harassment, like that boss that’s really inappropriate, or meeting someone on a bus who thinks they can touch you. Did that resonate for you? Was that something that you really wanted to get out there? RYDER: That was also something I really appreciated about the project that goes along with what I was saying earlier about the honesty of it. It would be an unrealistic story if the girls didn’t have those type of encounters, because that’s something that every female deals with in their day-to-day life. And I like that Eliza draws attention to it, because again, you don’t get to see that too often. FLANIGAN: I thought it was pretty compelling. I think Eliza did a really great job of portraying this perspective of fear and hostility. Like everywhere you go, you always feel kind of uncomfortable about men, even if they even do it or not. If it’s intentional or not. DEADLINE: Sidney, you have an extraordinary scene where the nurse in the clinic is asking Autumn questions about her relationships. The camera stays on your face the entire scene, and we watch you go from fine to emotional. It’s a very impressive feat. How did you approach it? FLANIGAN: I guess I just tried to do think about my own life, and dig around for something of emotional substance to match up with that, or to trigger some painful memories. I don’t know. I’ve never acted before. I had to think about something really messed up and sad, and I just tried to do that. DEADLINE: Have you felt affected by the experience of making this film after the fact? FLANIGAN: Yeah, I mean, I don’t think you can spend two months on a set and not feel different afterwards. It was really amazing. There was like a really strong sense of community, and also, it felt like a world of support. Then the other day. I was walking down the street, and I was listening to movie soundtrack, because I was like, “Oh, I see it’s on Spotify now. ” And it was very weird, because I’m walking down the street, and I could see images of the movie [as Autumn] in my head. It was just really kind of a weird, trippy moment of like with the music playing, and then like putting myself in this like moment. It’s almost like I don’t want to do that, because it seems kind of unhealthy. But at the same time, I do feel attached now in a way. RYDER: Coming off of the film, I felt very changed. I definitely learned a lot, so I felt wiser. Working those hours and rehearsing and just putting yourself into the story for so long, you feel like you grow up a little bit. In the script, there’s a lot of unwanted moments you see between the girls and the men in the film, but also, Eliza really pays attention to a lot of really beautiful moments that happen between the two of them [Autumn and Skylar], like the handholding at Port Authority, or just simply the moment on the train when they feed each other the Chinese bakery goods. Seeing an appreciation for those small moments like that in a film, it’s really nice. And I guess, I look at things in my own life like that. Like, Oh, that’s an Autumn-Skylar moment. So it’s nice. Never Rarely Sometimes Always is available to rent on VOD on Amazon Prime Video, iTunes and other participating platforms.


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  5. info An extraordinary look at the lives of a middle-aged couple in the midst of the wife's breast cancer diagnosis
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Em=entitled mother ck=curious kid gf=girlfriend s=security for a little bit of background, I am in a lesbian relationship and neither of us put up with shit. a couple years ago, I went to the movies with my girlfriend (i don't remember what we watched) as we were leaving the theatre and went to go over to the arcade, this kid about 6-7 walks up to us. this is the conversation that took place: ck: hi lady! can i ask u a question? gf: uhh... ok. ck: why were you kissing that girl? gf: because i love her. ck: my mommy said that only boys and girls can love each other! op: well sometimes a boy and a boy or a girl and a girl fall in love with each other. and in walks entitled mother. ck: that's my mommy! me, realizing whats about to happen: ohhhhh shit em: excuse me! gf: yes? em: are you infecting my child with your DISGUSTING faggotry!? op: excuse me? ck: what does faggotry mean? op: its a mean word for people who are gay ck: whats gay? em: these disgus- gf, who just interrupted em: two boys or two girls who love each other a lot are called gay. ck: i love my daddy! am i gay? op: it's a different kind of love, like how your mommy loves your daddy. em: STOP CORRUPTING MY CHILD WITH YOUR DISGUSTING BULLSHIT!!!!! security comes over, hearing the noise s: excuse me ladies, what's going on here? em: GET THESE DISGUSTING PIGS OUT OF HERE!!!! s: what were they doing? em: CORRUPTING MY SON WITH SIN!!! s: excuse me, come again? 1/2 an hour later s: soooo, this child asked some questions, you answered them, and this woman is committing a hate crime? gf: pretty much security then pulled em aside and talk with her. i didn't hear the full conversation, but mostly screaming. security then pulled us aside and after explaining what happened, we started laughing. em: whats so funny?!? apparently, the security guard had em's record being read to her by a coworker. em was being charged for child abuse, and child neglect. we both had our ID's out and i had NEVER seen realization hit someone so hard, so fast. i saw em's face go from normal, to red, to white, as she took a closer look at my gf's ID. my girlfriend works for child services. lets just say em got kicked out from the mall.

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No ordinary love full movie. Ordinary love full movie on 123movies. Videos Photos Add Image Add an image Do you have any images for this title? Learn more More Like This Drama | Horror Mystery 1 2 3 4 5 6 7 8 9 10 5. 5 / 10 X After a doctor is called to visit a crumbling manor, strange things begin to occur. Director: Lenny Abrahamson Stars: Domhnall Gleeson, Will Poulter, Ruth Wilson 6. 3 / 10 What Richard Did follows Richard Karlsen, golden-boy athlete and undisputed alpha-male of his privileged set of South Dublin teenagers, through the summer between the end of school and the... See full summary » Jack Reynor, Fionn Walton, Gavin Drea 7. 1 / 10 A tragicomedy set in the world of gas stations in rural Ireland, where over-diligent employee of the garage searches for intimacy during the course of a life-changing summer. Pat Shortt, John Keogh, George Costigan Comedy 2 heroin addicts negotiate their way through Dublin's city centre, encountering friends and family as they search for their next fix. Tom Murphy, Mark O'Halloran, Gavin Dowdall Sci-Fi 4. 2 / 10 In a rare and potentially fatal feat of cinematic daring, Dublin: The Movie was shot entirely between 12. 01am to 11. 59pm on Thursday June 26th 2008. This audacious cinematic collage offers... See full summary » Karl Argue, Sarah Carroll, Philomena Fitzpatrick Adaptation of Celeste Ng's novel, Little Fires Everywhere. Reese Witherspoon, Kerry Washington, Rosemarie DeWitt Keith Farrell Sarah Greene, Fionn O'Shea The story of boxer, Emile Griffith, who took the life of another fighter in the ring during a live televised broadcast in 1962. War Three pilots are held captive inside an infamous German POW camp during World War I. A Pair of marijuana advocates try to hold their own against the FBI in a brutal five-day standoff. Bump (TV Series 2019) - / 10 When her straight-laced sister Liz asks her be a surrogate mother, Ciara's once aimless and madcap life begins to get more than a little bumpy. Gemma-Leah Devereux, Aoife Duffin, Ciaran Grace A 32-year-old misanthropic musician named Frank lives in Dublin with his mother. Pom Boyd, Brian Gleeson, Domhnall Gleeson Edit Storyline Follows Marianne and Connell, from different backgrounds but the same small town in Ireland, as they weave in and out of each other's romantic lives. Plot Summary Add Synopsis Details Company Credits.

That poem at the end was EVERYTHING 🤩. The author co-wrote all the scripts for "Normal People, " while entrusting the "Room" director to capture her acclaimed novel's ethereal "essence. " Sally Rooney sees herself in both characters within her novel, “ Normal People, ” but don’t make her break it down further than that. “I feel my psychological state as a child remains a mystery to me now, ” Rooney said during a TCA panel for the upcoming Hulu series. “I don’t know why I am the way I am. ” That’s what the writing is for, after all. “I felt, writing the book, that both characters were a projection of my point of view, ” she said. “They both embody aspects of my own psychology. […] The challenge of adapting this for the screen is that they both have introspective qualities. ” To help with that challenge, Rooney turned to Oscar-nominated “Room” director Lenny Abrahamson, who helmed the first six episodes of the 12-episode TV adaptation, while Hettie MacDonald is directing the second half. Joining Rooney on the panel, along with executive producer Ed Guiney and actors Paul Mescal and Daisy Edgar-Jones, Abrahamson said the key to unlocking the novel’s resonance onscreen is understanding how much you can learn about someone from their movement, reactions, and general demeanor — not everything has to be said. “You meet somebody on the street and you talk to them for 30 seconds, and you get a sense of who they are, ” Abrahamson said. “It’s extraordinary how many nonverbal [indicators] exist in that arena. […] What the novel gives you is this essence, so what you’re trying to do as a [filmmaker] is recreate that essence in a new medium. ” Abrahamson also said television was the best place for this adaptation because of how specific you can be when telling an intimate story. “Television now gives you a chance to tell stories at an extremely granular level of detail, ” he said. “We can get this story to such a substantial audience and give it the details it needs. […] It felt very rich and very exciting for me to do. ” Adapted by Rooney alongside writers Alice Birch and Mark O’Rowe, “Normal People” is a 30-minute drama series. Per Hulu’s synopsis, the adaptation “tracks the tender but complicated relationship of Marianne and Connell from the end of their school days in a small town in the west of Ireland to their undergraduate years at Trinity College. At school, he’s well-liked and popular, while she’s lonely, proud, and intimidating. But when Connell comes to pick up his mother from her cleaning job at Marianne’s house, a strange and indelible connection grows between the two teenagers — one they are determined to conceal. ” Both Abrahamson and Rooney credited their two leads for whatever success the series sees. “When you cast two people as talented as Daisy and Paul in territory as rich as this, it gives you a chance to explore the direct presence of those characters, ” Abrahamson said. But neither lead had read Rooney’s book before they were cast. “I got my first audition and I’d heard of the book — a few friends had told me, ‘this is the best thing you’ll ever read’ — […] but I knew from the writing how complex she was in the few lines of dialogue I got, ” Edgar-Jones said. “I’m kind of glad I didn’t read it before because I would’ve put an intense amount of pressure on myself. ” Mescal said he’d read Rooney’s first novel, “Conversations with Friends, ” but not “Normal People. ” Still, he described himself as a “romantic” who loved devastating love stories like this one, as well as films like “Blue Valentine” and “Marriage Story. ” Edgar-Jones agreed, citing Baz Luhrmann’s “Romeo + Juliet” as a favorite. “Those are the kind of stories I’m most interested in — I love love, ” she said. “To be part of one that’s as special as this was really something. ” Abrahamson also pointed out that “Normal People” tells a rare story on television, when it comes to other young romances that can skew very dark (like HBO’s “Euphoria”) or a bit soapy (like on The CW). “It’s just as valuable to tell a story that’s life-affirming […] about formative life-changing relationships, ” he said. “There’s nothing cynical about it, but it’s still very deep and very textured. ” “Normal People” is slated to premiere in Spring 2020 on Hulu. Watch the trailer below. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

My ordinary love story full movie. Awesome. Those who have read my first post will know that half of the actors at the amusement park I work at aren't really... actors. We call them pretenders, not-actors or monsters, plain and simple. Also, just saying, I had some trouble thinking of a shorter and less misleading title this time. I get it, I had it coming, but the joke about the unpaid actors got old really fast. It appears I have to preface this one by answering some frequently asked questions regarding Mr Scratch. Yes, I do give him scritches and belly rubs and all that stuff from time to time. I often find myself treating him like my pet, even though I really shouldn't be doing that. Due to his size and strength, I have not yet attempted to play or wrestle with him, nor do I wish to try anytime soon. About his anatomy, I guess I could have made myself more clear. Imagine a huge, detailed costume as it would be worn by an actor in a theme park. Now imagine the costume as an animal. The outer layer is made of fabric and the fur is artificial, but there's a whole bunch of functioning organs, blood and muscle tissue inside. It's a costume and it is a living, breathing thing. And it does defecate. For some reason, a lot of you wanted to know that. They clean out the his cage once a day when I'm out walking him about. I also mentioned him running off before. He only did it twice and to be honest, it wasn't that big of a deal. The first time it was actually my fault. My hands had grown sweaty from having held the leash for so long and he was in a bit of a funky mood that day, so when he gave the chain one hard, strong pull, I lost my grip on it and it flew out of my hand. He didn't get very far either. I'm a fast runner and he only managed to make it to one of the ice cream parlors before I caught up to him. I got my hands back on the leash just as Dale, my manager, came running up to me. Upon noticing I had gotten the sock puppet back under control, he let out a sigh and muttered "Close shave, idiot" under his breath as he passed me. I don't want to talk about the second time he ran off. It was nasty and the only way I sleep soundly at night is knowing that it wasn't my fault. All in all, the sock puppet barely acts up. Unlike some of the others. You would think that the worst not-actors are from our part of the park, the horror-section. But while the Undead Nurse and Mr Scratch might be the more creepy-looking ones, the pretenders one should actually be afraid of are not under my or Darius's care. And this is what leads us to the neighboring section. The amusement park I work at might not be the biggest, but it is not modest by any means. This is proven by the most flashy and beautiful section: The Wild West one, or as we call it Twin Vale Point. This name is painted in large, black letters onto the wooden sign welcoming visitors into the western style town. You'll find the most gorgeous, old-fashioned wood rollercoaster in there. It's my personal favorite and I'm guilty of sneaking rides on it during my breaktimes when there aren't as many visitors around. Other than that, I make it a point not to get too close to Twin Vale Point at any time. The setup is quite beautiful and a refreshing contrast to the grimdark black and gray colors that I'm usually surrounded by when working in my own ghost town, but the western section also happens to be home to one of the pretenders that really freak me out. The Laughing Cowboy. Technically, I should not be able to encounter him as often as I do. Twin Vale Point is a bit further away from the horror section, but somehow, and don't ask me why, our paths keep crossing anyway. The first time I met him was when I was already one month into the job. By then I had gotten used to the way things work around here and had come to enjoy my daily walks with Mr Scratch, but I had also learned that it is important to give him a bit of a break from time to time. It was a particularly busy day and the park was bustling with visitors. I had been walking the sock puppet around for about three hours straight and had noticed him getting a bit tired, so I brought him back to his cage. It had been newly cleaned and padded out with some fresh hay. He seemed very relieved and happily marched inside once I let him off his leash. I locked the door behind him before making my way back to the main plaza where I would often walk about. Now, you need to know that during seasons in which we expect a lot of visitors, us actors carry around walkie-talkies in case something happens and we need to inform the others. They aren't management-issued, Dale could not give less of a damn about if we have a hard time or not. Someday, an actor just came up with the idea and bought a bunch of them. So, it was one of those busy seasons and I had just arrived on the plaza when I heard my portable radio come crackling to life. I quickly walked over to a deserted corner behind a booth and pulled it from where I had tucked it into my waistband. "Um... hello? Hi, anyone from the horror section? Guys, I need someone from the horror section, come in, please. Hurry. " Raising the speaker to my mouth, I responded. "Horror section speaking, what's the matter? " The distorted voice on the other end stayed silent for a little while before finally answering. "Oh! I get it, you must be the new tamer! Are you with Mr Scratch right now? " "No... he's in his cage. What's the matter? " "Okay, so, I hope I'm not overwhelming you with this, but I'm gonna need you to help me with something here. It's... um... urgent. This is Mitchell from Twin Vale Point speaking. The not-actor I'm assigned to just ran off, I lost sight of him and I can't find him anywhere. I think he's in your section. " "Shoot. Okay man, what's he look like? " Mitchell cleared his throat. "Uh... cowboy attire, you know, large hat, leather vest, chaps and boots. Harelip and black teeth. " "Any idea where he might be at? " I asked. "Yes, actually. He's run off into your breakroom once or twice before. I don't know, maybe he likes it or something, but chances are he's in there. " I sighed. "Got it. I'll check it out. In case I find him, can you wait for me by the entrance? " "Will do. See you then. Oh, wait, one more thing! He doesn't talk, but he laughs an awful lot. Don't let it get to you, he only wants to creep you out. " "Alright... I'll remember that. " After this rather bizarre conversation, I instantly set out for the breakroom. The one in our part of the park is not very large, but it offers a space for Darius and me to change clothes, a table we sometimes eat at as well as a small bathroom with merely a sink and a toilet. Upon entering the room, I immediately spotted him. A man in a cowboy hat was sitting at our table with his back turned to me. I cleared my throat. "Hello? " I was really trying to sound confident, but something about the way he was sitting perfectly still and the strange silence that hung in the air just made my skin crawl. "You're going to have to return to Mitchell, " I said firmly, hoping the pretender would not notice the slight quiver in my voice. "You don't belong here. Now get moving. " No reply. Instead, the cowboy's shoulders began shaking slightly. "Dude, you're starting to get on my nerves. Get up and walk your ass back to the western section this instant, " I ordered, taking a few slow, careful steps towards him. Again, no response. The quivering of his shoulders grew stronger. "You hear me? Come on. Please. I need to get back to work. " I walked just a little bit closer and hesitantly reached out to touch his back. The second my hand made contact with the leather of his vest, his head suddenly jerked back. He didn't turn around, he just threw his head back and stared up at me with wide eyes. I instantly backed away blindly, unable to break his gaze. His mouth opened, stretching into a wide, eerie smile and I saw that his teeth were completely black, just like Mitchell had told me. I remember absentmindedly taking notice of the cleft in his upper lip as well. A low, rumbling chuckle erupted from his throat. The cowboy slowly stood up, his neck still bent backwards so he could keep looking at me. It was a grotesque sight. Finally, he turned around, cackling loudly. He straightened his hat and proceeded towards me, holding out his hand. I stared at him, hesitant to take it, but eventually relented. His palm felt cold and clammy. "Yeah, uhm... nice to meet you. Are you... gonna get going now? " I stammered, unsure of what to say. His laughter had faded and he was now regarding me with a strange, void smirk on his face. He didn't let go of my hand. When I tried to pull it away from him, his grip strengthened. I could feel my heart beating faster and faster in my chest. The cowboy was simply standing there, holding my hand and grinning at me with his black teeth. I didn't know what to do. Trying not to look scared, I watched as droplets of equally black saliva formed on his lower lip. They soon grew and grew and began running down his chin in tiny streams. I felt some of them land on my own habd which he was still squeezing painfully hard. A wave of relief washed over me when he let go of my hand. He then reached up to his collar and began unbuttoning his shirt. I quickly took a few steps backwards, raising my hands. "What are you...? Oh, no, man, you keep that on! " I ordered. I did not like where this was going. To my surprise, he actually listened this time. He stopped and instead peeled back one side of his shirt, allowing me to see part of his upper body. There were three bullet holes in his chest. The skin around them was frayed and the flesh in the holes themselves gray and dark. It looked rotten. I gagged slightly and turned my head. I could hear him start to giggle again. His snickering grew into a fit of laughter and when I dared to look at him again, he had buttoned up his shirt and was doubling over. I merely stood there, watching in disbelieve as his eerie, throaty cackle seemed to echoe off the walls of the empty breakroom. Suddenly, the door was thrown open and light flooded the rather dimly lit space. There was a man standing in the doorway. He was dressed like a sheriff out of an old wild west movie. The cowboy's smile instantly faded from his face when he turned to look at the sheriff, visibly disappointed. The man dashed forward and grabbed the cowboy by the collar, pulling him away from me. "Here I am, turning my back to you for one damn second and next thing I know, you're off to harass the new employee! " he grunted as he flung him aside. The cowboy quickly regained his footing and looked up at his attacker with narrowed, hateful eyes. The sheriff introduced himself to me as Mitchell and I accompanied him back to the entrance to Twin Vale Point where we said our goodbyes. Mitchell had kept a firm grip on the not-actors upper arm the whole time. It reminded me of a parents angrily dragging their misbehaving child along. He told me a couple of things about the cowboy on our way. Due to his humanoid appearance he could not be led around on a leash, so Mitchell had to observe his every move and keep him from wandering off the boundaries of Twin Vale Point. Usually, he wouldn't cause too many problems. But from time to time he would become a little adventurous. Maybe it was just to annoy Mitchell. Either way, everytime he'd get into that mood, he would run off and pull a prank or get up to some other trouble. "I don't think he cares what it is he does, as long as it gets on my nerves, " he said, side-glancing at the pretender who was begrudgingly walking alongside him. I wouldn't say that the Laughing Cowboy is the monster I am most scared of. What I find so unnerving about him is that he keeps me in a limbo of trying to decide if he is a threat to me or not. He acts all cute around the visitors, always pauses to take photos with them and posing and stuff. The only time he gets disturbing like that is when one is alone with him. Plus, I'm not sure if he really means to do any harm or if he just wants to mess with people. There have been instances of him being quite nice to me. One time he even almost saved my life in a way. Since I was already talking about the not-actors that scare me, I believe it's time I told you about the Sugar Plum Fairy. The Sugar Plum Fairy is one of the monsters from the candy-themed section. Of course it's directed mainly at really small children. Not unlike the cowboy, the fairy does not cause a lot of trouble most of the time, except for when she does, she makes a way bigger mess. She has the general appearance of a very short, young woman in a tutu. She wears a bunch of cute accessoires in her hair that look like candy. She spends all day ballet dancing on a small stage in the candy section. She never stops moving. But every night when the park closes down and the monsters are brought into their overnight shelters, she goes absolutely berserk. Sure, I can understand she doesn't want to be locked in a cage, but who knows what she would get up to with no one around to watch out for her. The person assigned to her is Maxine. She's a very nice girl and we get along really well. She's dressed up as a princess and loves nothing more than taking pictures with the visitors. She spends her time hanging around the plaza in the candy-section, watching out for the Sugar Plum Fairy. While the fairy never acts up when there's still visitors around, she sure doesn't hold back when we're the only ones left in the park. This results in Maxine often needing our assisstance in catching her and locking her up at nighttime. That one night, I had just taken Mr Scratch to his cage, Maxine radioed for me to come over. Most of the other actors had not quite finished up their work yet and were still busy taking care of their own assigned pretenders, so I had to go and help her catch the fairy. I made my way over to the candy-section where Maxine was waiting for me. She had already changed out of her costume and into her normal everyday clothes. She hurriedly explained to me that the Sugar Plum Fairy had run off when she had entered the stage to take her back to the small trailer she spends the night in and was now roaming this part of the park. We split up to go look for her and I admit I was more than just a little nervous. The Sugar Plum Fairy doesn't ever show her real face to the visitors. She keeps it hidden under that thing, that mask, which looks like a face but isn't. It's hard to describe. So I went down to the booths to look for her. It wasn't the first time I had encountered her, so I knew what to expect, but when I found her sitting on the roof of one of the closed food stands facing me, I nearly got a heart attack. After I had caught my breath again, I carefully continued to approach her. "Hey, " I said softly. I had learned early on that it is best not to anger her. "Would you come down here, please? " I reached up and held out my hand for her, to help her jump off. "Please? For me? " I breathed a sigh of relief when she placed her tiny hand in mine. Moments later, she landed gracefully on the ground on her tiptoes. No idea how she does that by the way. She let go of my hand and for a moment, we just looked at each other, smiling. Then her eyes suddenly rolled back into her head, she reached up and pinched the skin on her neck between her fingers and slowly peeled it off all the way up to her forehead, nearly stripping her entire head of its skin and revealing what I already knew was underneath. The true face of the Sugar Plum Fairy consists entirely of one, large, razor-sharp beak not unlike that of a kraken. She opened it wide, hissing and snarling at me. I stumbled backwards, not sure if what to do. My hand reached for the whip on my waistband, my only means of self-defense, only to remember I had already changed out of my costume. I continued to back away, the Sugar Plum Fairy slowly and menacingly proceeding towards me on her tiptoes. I screamed for Maxine to help me, knowing full well it was useless. By the time she'd find me, the monster would have probably already managed to take a good chunk out of my arm or something. The only option I had left was to run. I think I mentioned previously that I am quite fast, but apparently, the Sugar Plum Fairy is faster. She came bounding after me in long, graceful leaps, sometimes stopping to twirl or hop in place. It must have looked funny from an outside perspective. Still, she effortlessly managed to catch up with me and block my path. Her tiny hands pushed me to the ground with a strength betraying her small, delicate frame. I felt her step on my stomach, painfully pushing the tip of her foot into my soft flesh. Then, all of a sudden, she pulled back. I hadn't seen or heard him coming, yet when I looked up, the harelipped cowboy from Twin Vale Point was standing over me. The look on his face was stern and he had placed one of his hands on the fairy's shoulder. She hissed at him and snapped her beak into his direction a couple times, but he remained unfazed. He just took her by the arm and calmly walked off with her. I pushed myself off the ground and followed them. He lead her to her trailer, opened the door and helped her climb inside before closing the latches and locking her in. I watched in disbelief as he tipped his hat at me before wandering off to the wild west section. I thought I could hear Mitchell shout something along the lines of "Where the hell were you? " in the distance. All in all, I think the Sugar Plum Fairy might be the one that creeps me out the most. The cowboy is a close second, but just because he's so unpredictable. Then again, there's so many of them to choose from and each pretender just hits another nerve with me, so I really can't tell for sure.

U2 are great but i would love to hear a version with just Gaga's vocals. 😊✨. 10 years ohhhh my good feels like yesterday. Rest in paradise kobe bryant 1978 - 2020. Shes Margarets mother from North and South. I love also Larry Mullen's drumming in this live version. So powerful and precise. They are a terrific live band. This is almost a fly-on-the-wall style telling of how an ordinary couple discover and come to terms with one of them having cancer. It is told in an intimate but not sentimental way, and is really quite touching. Owen McCafferty's script uses humour, sex, pathos, occasional anger, and a relationship with another couple in a similar (though more terminal) situation to help convey the deep senses of frustration, helplessness and hope as they go through the testing and treatment procedures. Liam Neeson plays his part well; though the script doesn't give him too much to work with. Lesley Manville is superb, though - really very convincing; she elicits sympathy by the bucketful. It doesn't pull it's punches so be prepared for a tough watch at times.

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2017 / average Rating=6,5 / 10 / Director=Jon Avnet / Star=Bradley Whitford, Richard Gere / countries=USA / runtime=109 M. Three christs true story. "Three Christs" was a last minute choice of mine at the TIFF. As a big Dinklage's fan, and considering that it was a world premiere, it was easy enough to go check it out. I'm glad I did. This movie is one about the brain and its struggles, but it does so with a big heart. It's funny and touching with a good balance, and the acting is top notch (I'm actually a bigger Dinklage's fan after the movie. The underlying themes about psychiatry as science and its potential negative effect on personality, the nature of identity, the complex interaction of desire and fear are inhabiting the film and are as relevant today as they were at the time. In summary, a great entertaining movie with a deeper layer. and a stellar Dinklage.

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Hush little darling there’s no need to Angel will watch over you while you sleep. Drift off to Dreamland in slumber so sweetAnd fly with the Angel to Paradise Keep Mommy, she loves you. And Daddy does ’ll be there in Dreamland, a’waiting for you. It’s a sweet little poem, isn’t it? My Mom used to sing it to me when I was a little boy. I remember her soft, honey dipped voice reciting the words, and the expression of love in her eyes as she sang. I remember that she sang it to me the night before she died. Then she kissed me goodnight for the last time. Such a tender moment. The kind you take for granted in your childhood. You fall asleep after a lullaby like that feeling safe, and certain that when you wake up, the world will be the same as you left it. Mine wasn’t though. I woke up the next morning to find out that my parents had been killed in a car accident. They’d left my Aunt Stacey to keep an eye on me, while they took my sister and went to see a movie. The way I’d heard it, they’d skidded off the road and that was it. *** Aunt Stacey had woken me up on my 21st Birthday with pancakes and eggs, like she always did. She’d taken good care of me since my family had passed, and I really can’t say I’d have wanted to spend the past seventeen years anywhere else. I had a class that day, so I went out and dealt with that. I got a few ‘Happy Birthday’ texts, and some well wishing Facebook posts. But nothing spectacular. The party wasn’t going to start until that evening, and I was pretty excited for it! As the late afternoon passed and early evening finally rolled around, I got home and started to get ready for that night's festivities. It was the usual birthday deal, me and my friends would get hammered and go to the strip club, because nothing rings in a new year of life better than beer and tits. I was feeling good, my wallet was fat with cash and I was headed to the door when I saw my Aunt sitting patiently in the front hall. She smiled at me when she saw me walking down the stairs, all dressed up and ready to party. “You look more like your father every day, ” she said, a bittersweet hint of sadness in her voice. “Thanks, ” I replied and returned her smile. “I’ll probably be back late, so don’t wait up for me, okay? ” “Okay, ” she said, her smile fading. “Jack, there’s something I want you to look at before you go. ” There was a sense of urgency in her tone, but at that point in time, I didn’t care. I had other places to be. “Can’t it wait until tomorrow? ” I asked, “I don’t think it can. ” I narrowed my eyes at her. She looked unusually solemn, a drastic change from her usual constant smile. That concerned me. “Okay, what’s this about then? ” I asked, studying her face for a hint of what she was going to say next. I saw nothing. “Well, I was hoping we could talk about it. I’ve been thinking of the best way to bring this up… I made honeyed ham by the way. ” One of my favorites. “That’s really great, but, I’ve kinda got other plans for tonight. ” I admitted. Aunt Stacey shook her head. “This is more important. Jack, we need to discuss this. ” “Well, why couldn’t we have done it earlier, or later? ” I asked, “I appreciate you cooking and all, but… I mean, I can’t just cancel on Jason! ” Her expression soured. “Jason. ” She scoffed, “I thought I told you I don’t like you spending time with him. ” “I’m 21. I think I can pick my own friends! ” “And have poor choice on them. I know his type. I know a druggie when I see one. ” She wasn’t wrong, but I wasn’t going to admit that. “Why does it even matter? ” I asked, “Look, if it’s that important, just tell me now, okay? ” “It’s… It’s complicated. ” Aunt Stacey said, “Look, I would really rather talk it out over dinner. ”“And I’ve got someplace to be! ” This was an impasse, and from the anger on Aunt Staceys face, I knew it was going to blow up into a full on argument any minute now. I was right too. “Jack, I’ve made myself clear! You’re not going out with that druggie, especially not tonight! I don’t know how many times I have to tell you how important this is, so please don’t give me a hard time! ” She sighed in frustration, “This is not how I saw this going. ” Just then there was a knock at the window, and sure enough Jason’s face was there, grinning from ear to ear. Aunt Stacey’s look soured, but I had my last word before she could say anything. “Look, if it was so important you could’ve told me sooner. We can talk tomorrow! ”“Jack, wait! ” I pushed past her and headed out the door. Jason greeted me with a wide grin. “Hey man, we were waiting in the car for you! ” “Sorry… Just talking to my Aunt. ” I murmured, and pushed past him to head out towards the car. Whatever Aunt Stacey had on her mind that was so important she decided to spring it on me at the last possible minute, it fell into the back of my mind fairly quickly. I didn’t want to let it bother me. After all, you only turn 21 once. I drank with the rest of the guys, and after a couple of hours I’d managed to down about seven beers, so I was good, and wasted. The guys were more than happy to pay for my lapdances. Petey, who’d been my friend for as long as I could remember was especially keen on them. “So, how much for more than a lapdance. ” He asked one girl playfully. She regarded him with a fake smile. “What do you mean, like… a handjob? ” “Maybe a little more. ” Petey said with a wink, “My friend Jack here. He’s never felt a real pussy before. How much to make him the happiest man alive? ” The stripper seemed to think it over before shaking her head. “No… Sorry, that’s not what we do here. ”“Alright, alright. Well. Here’s the 20 for your trouble, thank you gorgeous! ” She took the money a little reluctantly, and I made sure not to give her a hard time when she led me into the back room. Despite his brash demeanor, Petey is a good guy. He’s a major asshole sometimes, but aren’t we all? When I got back from that dance, Petey was trying to negotiate with another stripper. She had a look of utter disgust on her face. Jason was watching somewhat amused as the other guys who were more his friends than mine watched the dancer on the stage. “Hey, Jack. ” Jason said, and waved me over. “I’ll cover your next dance. I’ve got a feeling Petey’s gonna get in deep shit soon. ” “You think? ” I scoffed. Jason just laughed. “Alright, maybe it’s obvious. Hey, by the way! I had a little birthday gift for you…” He reached into his pocket and took out a pill bottle. From it, he took out a little pill with a star on it. “Forgot about this. This is gonna kick your shit into high gear man. ” I didn’t even question it. I downed it with a sip of beer. Jasons smile never faded and he made eye contact with a passing stripper, luring her over. “Three dances with my friend here. ” He said, offering her sixty bucks. “Show him a good time! ” The stripper smiled and took me by the hand, leading me towards the back rooms again. Jason was right. Whatever he gave me made me feel fucking great. I think it was probably molly. I probably should’ve asked him. I was pretty drunk already so it’s hard to call back too many memories. I remember tits, music, and Peteys deep bellowing laugh. Then I remember getting up to take a piss, and that’s when everything went wrong. Some sick jackass had taken a shit in the only urinal, so I had to take my business to the stall. As soon as I closed the door behind me, I felt a sharp pain in my chest. It was like I was being stabbed. I screamed but no one could hear me, and the stabbing pain slowly traveled down my chest, and into my stomach, leaving a trail of agony as it went. That was when I realized the screaming I was hearing was not my own. It was a woman, shrieking in agony, and fear. Faintly, I could hear someone yelling: No! No! Please God No! The pain was getting more and more intense. It felt like my entrails were being torn out and I screamed again. The stall door came open and I hit the ground, writhing in pain. The voice was pleading now, louder than before. No… not like this… not like this… By then the pain was radiating throughout my skin, and was horribly unimaginable. The pain was worse than anything I have ever experienced in my life. Then suddenly it was fading. I heard a faint breathing in the distance, and slowly that stopped too. As suddenly as it had arrived, the pain was gone and replaced with an overwhelming sensation of fear. I think that might have been worse than the pain. Soon, the fear was gone as well and I lay on the bathroom floor, breathing heavily and on the verge of passing out. For all I know I might have passed out entirely. I have no idea how much time passed. I know that when I finally regained some of my senses, and I tried to stand up, I felt a clinging warmth against my crotch and realized that I’d pissed myself. The dark stain was clearly visible against my jeans. The pain was gone, but the memory was not. I was sweating and shaking. I didn’t want to stand. I no longer cared about my damn birthday. I shambled drunkenly towards the bathroom door and out into the club. Thankfully the lights were dim and everyone else was focused on the girls on stage. Petey got up to greet me, but watched dumbfounded as I went for the door. He followed me close enough to see me collapse again when I reached the parking lot. “Dude! ” He said, “Are you okay? ” I shook my head. “Pain…” I murmured, “Fuck… There was a lotta pain…” I looked up into his concerned face. “I wanna hospital man… I don’t feel good…” He didn’t hesitate, immediately going for his phone to call Jason. One of Jason’s friends was our DD, and he was thankfully not too busy to drive me to the emergency ward. I told them everything. I told them about the drugs and the booze. I didn’t rat on Jason of course. I’d never do that! But I didn’t want to die because I’d lied about taking some molly. The doctors did their tests, and Petey was there the entire time. He sat patiently in the waiting room, not saying a damn thing. Jason and the other guy never showed up, but that was fine. It wouldn’t be fair for me to ruin their night of tits and fun. I expected the tests to come up with something… but no. “You’re physically fine. ” The Doctor told me when he came in. I’d sobered up a bit since then. “Stupid, but fine. No sign that anything is wrong with you. But keep a close eye on it, alright. If you feel any more pain, come straight back. ” “I will. ” I said softly. The memory of the pain had mostly faded now. I really did feel fine! When I walked out into the waiting room, Petey stood up eagerly. “You good, man? ” He asked. “Yeah. I’m good. ” I murmured, “I think I just wanna go home. ” He nodded and didn’t argue. Home was little more than walking distance from the hospital, and Petey stuck with me most of the way back. “You good to make it home? ” He asked as he stopped outside of his parents place. “Yeah, I’m good. ” I said. Aunt Stacey’s place was less than a block away. I knew I’d be fine. “Thanks for everything man, see you later. ” He nodded at me and went inside as I finished my walk alone. I got home at around 3:30 in the morning. The house was eerily quiet, but most frighteningly of all, it felt occupied. I made my first stop to my bedroom so I could change my pants. I probably still smelled like piss but I was too tired to care. As I threw on clean underwear and a fresh pair of jeans, I heard soft footsteps in the hallway outside my door. Was my Aunt awake? I peeked out into the hall and saw nothing but darkness. Empty, foreboding darkness, and it filled me with a primal sense of fear, not too different from what I’d felt in the bathroom, but much weaker. Slowly, I started down the hall. I thought about my Aunt and how she’d wanted to talk to me earlier. I supposed now would be as good a time as any to resume that conversation. Maybe she was awake anyways. As I drew closer to her room, I started to notice a weird, sweet smell that grew stronger the closer I got. By the time I reached her door, the smell was almost overpowering. I opened her door, and turned on the light. What I saw was… Oh God… I didn’t even recognize her at first. There was just the red shape stuck to the wall. It took a few minutes before I realized that it was a person. It was Aunt Stacey. Her remains were held to the wall by seven large, metal spikes driven into her arms and shoulders. Her skin was gone. Torn off in chunks and exposing the muscle and tendon beneath. Her face… the skin that was her face… was torn completely in two and lay discarded on the ground with the rest of her skin. The empty holes that once housed her friendly eyes now stared up at the blood stained ceiling like the eyes of a discarded mask. Her new face… her skull had flaps of torn muscle hanging off it. Her jaw was half torn off, and her eyes were torn from their sockets. Her chest and stomach had been torn open, exposing her ruined insides. Her guts strewn carelessly across the room. I could see her entrails hanging from her body, and her stomach slashed open on the floor, spilling its contents. Her lungs were shredded, and her liver was ripped apart. The most disturbing thing though was her heart. It was neatly placed on the pillow and something had taken a bite out of it. Before I screamed, I vomited, and from the corner of my eye I thought I saw something in the mirror move out of sight. At the time I never thought much about it. It was only later that it seemed important at all. Terrified, crying and sick, I stumbled out of her bedroom and towards the nearest phone. Within an hour, the police were there. I was sitting at the bottom of the stairs when the first cop walked into the room. I could hear him screaming, and the sudden thumping as he stumbled back in horror. His partner called in for countless units and soon enough I was subjected to a blur of questions. I don’t remember most of my answers. I don’t remember much at all. I only remember the horror deep in my stomach as I wondered who could ever do such horrific things to Aunt Stacey… *** The next few weeks passed in a blur as well. I remember fragments of it. A closed casket funeral. An empty house and worst of all a crushing silence. The house was mine now, a lawyer had made that clear to me. I tried to focus my idle time into learning how to pay a bill, but aside from Aunt Stacey's modest inheritance, I didn’t have much in the way of money. The Police only spoke to me sparingly, and they had little to offer. There was no lead on who’d murdered my Aunt. No fingerprints. No DNA. Nothing. She was just dead, and I had no idea how to pick up the pieces. I wasn’t eating much. I did what I could of my courses online, but I had no hope of a future graduation. I couldn’t afford next semesters tuition. Aunt Stacey had lived cheque to cheque, relying on loans that I couldn’t pay back. She’d worked two waitressing jobs to provide for me, and I’d never actually had a job in my life. I looked of course, but people want to hire experience. No one wants to hire a depressed frat boy. I drank what little alcohol was kept in the house for the momentary bliss it could give me, but even that felt cheapened. I saw myself falling down a pit and I saw no way out. I was good and truly fucked, and there was no way around that. When Jason came around, I was almost surprised to see him. He had the same friendly, carefree smile he’d always had. Like nothing was wrong with his world. He was the man in charge. He always was. “Sup Jack. ” He said. “Hey. ” My voice was dull and tired. “What do you want? ” It wasn’t meant to sound rude, but it did anyways. “Just checking on my main man. ” Jason said. He slid through the half open door like a rodent. “Yeesh. This place is fucking glum…” He murmured, “No one’s seen you in a while. We were getting worried. ” “Yeah, well in case you haven’t noticed, my lifes kinda gone to shit. Jason shrugged. “Well, happens to the best of us. ” Usually, I liked his cool as a cucumber attitude, but in that moment, it was really just pissing me off. “Look man, this isn’t a good time. ” I said, “I’ve got shit to do. ” “I promise, I won’t be long. ” Jason assured me, “You weren’t answering your phone so I wanted to give you a personal invite. Me and some of the guys are throwing a party this weekend. We’d love to see you there! ” I frowned. A party was the last thing I needed in that moment. “No thanks. ” “Come on! Okay, this guy I know hooked me up. He’s got columbian gold, man! Seriously, it’ll turn that frown upside down! You’re gonna love it, and trust me you need a win! ” I looked back at him. My anger was threatening to boil over. Was he seriously here to invite me to a fucking drug party, after all that happened? “Are you serious? ” I asked. Jason kept grinning. “Dead serious man! It’ll be fucking great, I promise! ” “Get the fuck out. ” My words were curt and to the point but Jason looked confused. “Wha…? ”“I said get the fuck out! Are you deaf! Jesus Christ… Stacey was right about you… All you are is a fucking druggie. Do I look like I need to get fucking high right now, Jason? ” He took a step back, his smile gone. “Look, I wasn’t trying to…” “GET THE FUCK OUT! GET OUT! ” I seized an old trinket off a nearby table and hurled it at the wall behind him. One of Aunt Stacey's beloved porcelain dolls shattered. Jason ducked out of the way and backed towards the door. “DON’T YOU EVER FUCKING COME BACK! ” I snarled, “DO YOU HEAR ME? ”He didn’t respond. He just disappeared out the door, and that was the last I saw of him. I sank down onto the floor, tears streaming down my cheeks. I hated my life. I hated everything. After a while, I picked myself up and climbed into bed. I needed to sleep and mope and heal. The pain woke me up. It felt like I was being violently beaten. I could feel every blow but as I kicked the sheets off of me, I felt no assailant. There was no one else in the room with me, but the pain was still there! I couldn’t breathe. My ribs ached. I collapsed onto the ground, tangled in my bedsheets and doubled over in pain, dry heaving to catch my breath again. The assault seemed to stop… but the pain didn’t go away as quickly as it did before. I closed my eyes and gritted my teeth as I slowly recovered, then, when I was ready, I picked myself up off the ground and checked the time. My nap had cost me five hours. Five hours I could’ve spent trying to figure out the disaster I was in. I thought about calling a doctor, but I felt fine now… Maybe it was a dream? Could dreams hurt? I didn’t know for sure. Still tired, I went to the living room to get my laptop and see if I could find any new job listings. It wasn’t even an hour later when I heard a pounding on the door. “Jack! Jack, you bastard, open up! ” I recognized Petey’s voice and stood up slowly to peek at him through the window. “I see you! ” he snapped. I’d never seen him so angry before. I couldn’t understand why. Still, I opened the door and was greeted with a fist to the face. “You sonofabitch! ” Petey growled as I hit the ground. My nose was broken. I could taste my own blood. “What the hell is wrong with you? You think you can just fucking treat Jason like that? ” “He came into my house and tried to sell me drugs! ” I groaned, trying to stand up, “Do you really think I need that right now? ” “So what? You come after him and nearly kill him? ” Petey snapped, “What the fuck is wrong with you, man? ” I blinked. “Come after him… No… No I’ve been here…” “Bullshit! We saw you at Jason’s place! You walked right through the door and just lost your fucking shit at him! You nearly fucking killed him you psycho fuck! ” He drew a foot back and kicked me in the arm. It hurt, but not that bad. “Petey, what the hell! No! No I didn’t! ” I scrambled clumsily back away from him. He glared at me, eyes settling on my arm. “I saw you…” He said coldly, “He’s in the fucking hospital, Jack! ” “Jesus…” My heart skipped in my chest. I slowly stood up, “Petey… it wasn’t me. You’ve got to believe me…” Petey continued to stare at my arm. “Roll up your sleeve. ” He said, and I did. Bare skin. Nothing special about it. Petey just stared, and reached out to touch my skin. “No… No, no, no… What the fuck…” “What the hell are you doing? ” I asked, and pulled away from him. “When you were beating the shit out of Jason… I… I panicked. I had my pocketknife on me, so y’know, I put it in your arm. You were fucking bleeding all over the place, man! Why the fuck aren’t you bleeding now? ” “You never stabbed me! ” I said, “Petey. I’ve been home all day! ” He stared at me mistrustfully for a moment, before shaking his head. “No… No way… I saw you…” “I’ve been here. ” I repeated, and Petey went silent. “Oh fuck…” He said softly, “Then… Then who the hell was… We gotta tell Jason! He’s pissed! I mean, he’s fucking out for blood, man! Soon as he’s out, he’s going to be looking for you! ” “What? ” My heart skipped a beat. I didn’t understand what was going on… I thought back to the pain and to Aunt Stacey. I remembered the pain I’d felt the night she’d died… The night I’d brushed her off from whatever she was trying to tell me... “Petey… Help me search the house. He gave me a strange look. “For what? ” “Something’s wrong… Something’s up man… How long ago was Jason attacked? ” “I dunno, an hour or so ago. ” The same time I’d felt the pain. My heart was racing. I needed to look. I could feel it in my bones. “Just help me look. I’ll explain everything…” I’m sure my story sounded insane. It felt insane! But Petey listened in silence as we tore through what had once been Aunt Stacey’s home office. There wasn’t much to find. Old bills. Receipts. It didn’t help that I wasn’t sure of what I was looking for. “Hey, is this anything? ” Petey asked after almost a half hour of searching. I looked back at him. He was holding one of Aunt Stacey’s old photo albums. I went over to look at it. “What do you see? ” I asked. I looked at the picture he had his finger over. It was an ultrasound image. It was hard to make out exactly what it showed, but I thought I could make out two distinct white shapes. “My friend Cameron, his big sis got married a few years back. Last I saw her, she was expecting twins. ” Petey said, “And her ultrasound looked a lot like this. She was showing it off. ” I frowned and looked at the image. I took it out of the album and flipped it over. I recognized my Moms handwriting there. It said: Jack and Jake. My angels. “What…” I said softly, and looked back up at the shelf with the photo albums on it. “Take them down. ” I said, “We’re going through everything. ” It took us a while, but it was a sense of direction. We flipped through every book and we picked out whatever seemed relevant to the puzzle we were putting together. What we found still sounded too insane to believe… but it was certainly something. Cards congratulating my Mother on twins. More ultrasounds. Copies of test results confirming two healthy babies… confirming I had a brother. Jake. Then came the pictures of my birth. I’d seen those before. Baby me swaddled in my Mother’s arms. Her expression seemed melancholy. Bittersweet. I’d never thought much about it before, but now I did. There was no sign of Jake. There was no mention of him beyond my birth. It was like he’d disappeared completely. “Maybe he didn’t make it…” Petey said softly as I studied one of my baby pictures, “Y’know… Stillborn. ” “Maybe. ” I replied. “I don’t understand, though… How does this tie into… well, the other me. Jake’s dead! ” Petey just shook his head. “I dunno man. I don’t get this voodoo shit…” Behind us, we heard a knocking at the door, and I left Peteys side to go and investigate. I spotted two figures on the other side of the frosted glass pane, and upon opening the door, I was greeted with two Police officers. I could see a squad car with two more on the street behind them. The two officers immediately pulled their guns, aiming them right at my chest and on a reflex, I put my hands up. “Whoa, whoa, whoa! Easy now! ” I stammered. One of the cops reached for his cuffs and was behind me before I could react. “Jack Marshall you’re under arrest for the murder of Jason Serkis. ” No formalities. Just the arrest. Petey stood in the kitchen, watching as the second officer trained his gun on him. “On the ground, now! ” The other two officers rushed towards us. One of them stopped to help the first officer bring me towards the Police car. I didn’t put up a fight. I didn’t know how to react. Then it dawned on me. Jason was dead, and there was only one person who could have killed him. They had it all on camera. Me coming into Jason’s hospital room and blowing his brains out with a. 45 revolver. As cases went, it was open and shut. I was given a lawyer of course. But his advice was just to plead guilty. Petey got off easier. There was no evidence tying him to the crime, and I’m sure he knew I’d be fine with it if he lied to cover his own ass. No use in us both going to jail. My cell isn’t too bad honestly. I mean, it’s exactly what one would’ve expected a cell to be. But by the expected standards it was nice! I’m only in here until they sentence me. Then I’ll be moved. All I’ve really got is a notepad to record my story. That and regular visits from Petey. He’s been trying to find more information about this ‘Twin’ of mine. Most of what he’s come up with is some Neo Religious bullshit Aunt Stacey kept around the house. Some of her trinkets were supposedly charms of some sort. He was trying to figure out what they meant, but without much luck. I still go out into the yard with the rest of the inmates and for the most part, nobody really bothers me. There was one guy… Only one. He was a tall, stony eyed muscular bastard with a swastika tattooed on the back of his head. I’d seen him plenty of times before. He was in the cell across from mine. But I didn’t know his name. I was out trying to get a short walk in and enjoy the sunlight when he came up to me, blocking my path like a brick wall. “You. “I’m getting really fuckin’ sick of you. ” “W-why? ” I had no idea what I could’ve possibly done to offend this giant slab of meat. “You keep fucking staring. What, you never seen a White Man before? ” He imposed on me, getting so close that it was almost homoerotic. I didn’t say that to his face though. “I- I don’t mean to…” I could see some of his Nazi Buddies getting closer. There were no guards around. No one was there when he threw the first punch. I’d never actually had the shit beaten out of me before, and I didn’t enjoy my first time. When he was done, I lay on the ground, covered in dust and bleeding. The guards didn’t bat an eye when I limped back into the facility. They just left me in my cell. The Nazi sat in his cell across from me, glaring intently as if warning me not to say a word. I thought about trying to call the guards and tell them what happened, but they hadn’t cared when I’d come in. I doubted they’d care now. No… There was nothing I could do about that sonofabitch, and I hated that. I hated him. I hated the helplessness. But I resolved to keep ’d just beat me again, maybe even kill me, if I talked. It turned out… I didn’t have to do anything at all. It was that night when I heard the Nazi yelling. “What the FUCK? How are you…” I got up off my cot and stood at the bars of my cell. I couldn’t see much, just someone standing over the Nazi’s cot and bringing their hand down over and over again. He didn’t scream. The sounds he made were more strained gasps and grunts of pain. My own body hurt too. I could feel white hot stabbing pains in my chest. More and more of them constantly. I gripped onto the bars of the cell door to prevent from toppling over. I wanted to be sick. “Fucker…” I heard him wheeze, before the figure over his bed backed away. I caught a glimpse of a knife in their hands and for a moment, they looked over at me. I found myself staring into my own eyes. I was looking at myself. The Other Me grinned before stepping away into the darkness. Then he was gone. I heard a Guard approaching quickly and laid back down in my cot, feigning sleep. I listened as they discovered the body. But no one said a word to me. What I’d seen was meant only for me. I’d already pieced most of it together by the time I got the letter from Petey. He’d found something else in my Aunt’s house. Buried deep in one of her safes was a letter that was meant for me, just in case she wasn’t able to tell me herself. I won’t recount the entire thing. But it put the missing pieces nicely in place. My twin brother Jake died at birth, just like I’d suspected. Mom used to think of him as my Guardian Angel. That lullaby she’d sang me, he was the Angel she’d been referring to. My parents really did die in a Car Accident. But not the way I’d been thinking they had. Mom had survived, and she’d told Aunt Stacey what she’d seen before it finished her off. The crash hadn’t been a malfunction, or bad weather. My Dad had been driving that night, and he’d thought he’d seen a child on the road. He swerved to avoid them, and went off the road. Mom survived just fine however, and was able to see the Child in the middle of the road. That child was me… Or what looked like me. Jake and I were twins after all. I don’t know if my Mother died from her injuries, or if Jake was responsible. I think Aunt Stacey had her suspicions, but no way to verify them. As for why Jake had come, the trigger for it all, Aunt Stacey had figured out that part too. It was my rage that summoned him. That night on my Birthday, I’d been angry at Aunt Stacey for trying to stop me from going out with my friends. I’d been angry at Jason for trying to pull me back into his drugged up lifestyle. I was angry at the Nazi. I was angry at Mom, the night she died. The memories came back slowly, but I did remember it. She’d told me I couldn’t go to the movie with her, my sister and my Dad. I didn’t understand why. I wanted to go with them! She’d sang that lullaby to calm me down before putting me to bed. But the damage was already done. Aunt Stacey had figured it all out long ago. She’d taken steps to shut Jake out and keep him from manifesting. But she wasn’t sure how much longer they’d last. That’s why she wanted to tell me. To warn me of what was coming. I don’t think there’s any stopping Jake. A few other inmates have been killed over the past few days. Friends of that one Nazi bastard. I can only imagine there will be more. I feel it every time they die. Maybe that’s my punishment for summoning Jake. Even if it’s not a conscious choice, I’m still punished for his actions. I’ll send this off to Petey, and maybe he can find something to stop Jake for good, but I doubt it. I think that for the rest of my life, I will be my Brothers keeper.

 

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  • Creator: Zachary Elwood
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⁽no sign up⁾ Free Movie Created Equal: Clarence Thomas in His Own Words

⁽no sign up⁾ Free Movie Created Equal: Clarence Thomas in His Own Words Rated 8.0 / 10 based on 552 reviews.

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Although Clarence Thomas remains a controversial figure, loved by some, reviled by others, few know much more than a few headlines and the recollections of his contentious confirmation battle with Anita Hill. Yet, the personal odyssey of Clarence Thomas is a classic American story and should be better known and understood. His life began in extreme poverty in the segregated South, and moved to the height of the legal profession, as one of the most influential justices on the Supreme Court. Created Equal: Clarence Thomas in His Own Words tells the Clarence Thomas story truly and fully, without cover-ups or distortions. The documentary will open in movie theaters nationally on January 31, 2020, followed by a national broadcast on PBS in May 2020. Educational use is forthcoming / Star=Clarence Thomas / 116 minute / / genre=Documentary / creators=Michael Pack.

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BOOM! He Nailed It. I wanted to be a pastor before but my father stopped me by doing so even am already accepted to enter the seminary. he said, the church should be lead by men only like how Christ as the head of the church and fathers as the head of the family. Paternity. Free Movie Created Equal: Clarence Thomas in His Own words. Clarence Thomas one of the realest ever. Reverse that I had the professional stand there with m16s for the person to get there someone me. If the president George Bush taped on the door they wouldnt let him in, Id like to see that happen. The “so help me god swearing in is irrelevant”.

Whao so it is a technique the Demorat has been using, The Kavanaugh hearing is like a 100% replay. Free Movie Created Equal: Clarence Thomas in His Own words and pictures. Free movie created equal: clarence thomas in his own words 2017. Free movie created equal: clarence thomas in his own words list. Created Equal: Clarence Thomas In His Own Words Official Trailer (2020) Clarence Thomas Documentary Movie - video dailymotion. Free movie created equal: clarence thomas in his own words full. On one side Ted Kennedy and on the other Strom Thurmond with “women” scandals of their own. Free Movie Created Equal: Clarence Thomas in His Own words without. Free Movie Created Equal: Clarence Thomas in His Own wordsmith. Free movie created equal: clarence thomas in his own words book.

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Free movie created equal: clarence thomas in his own words worksheet. Clarence Thomas is my hero. Free Movie Created Equal: Clarence Thomas in His Own words to eat. I too watched the confirmation hearing process of Justice Thomas. and I've got to say I'm grateful he stayed with it. He's been an excellent contributor to the Supreme Court. Funny no one remembers how the Dumbcrats used racial profiling to try and get him axed. They were baldfaced bigots everyone of them.

2020, NR, 116 min. Directed by Michael Pack. REVIEWED By Mike Clark-Madison, Fri., Feb. 28, 2020 Let’s spot Clarence Thomas this at the outset: He is not obligated to justify to anyone, and certainly not to white people, why he is Not That Black Man – or, as he puts it “in his own words” in this strained video portrait, “the wrong kind of black man” to be allowed to attain power. This matters here because Created Equal is a monologue and an apologia for the Supreme Court justice’s controversial career, yet also firmly centered on his black life. So the documentary raises the question of how a poor black boy from the Sea Islands in Georgia ends up a political and legal conservative, but then leaves it laying on the table, unanswered in a cloud of Thomas’ grouchy diffidence and reticence. This is the sort of film made for block-bookings of MAGA church youth groups – Thomas’ wife Ginni floats in and out to drop evangelical code words about the angels and demons warring over his fate. It doesn’t say much about his judicial or political philosophy beyond brief and opaque gestures at “originalism” and “natural law” and a clip of Gary Cooper in The Fountainhead. Thomas starts to articulate a thesis of libertarianism, rather than liberalism, being the appropriate intellectual home of black men scarred by racism, but doesn’t really finish the thought; he speaks of a road-to-Damascus moment and concluding that certain principles are worth dying for, but the movie never lays out with much clarity what those are. Perhaps it’s assumed the audience will view Thomas as a virtuous warrior for God and country and Trumpish stuff, but he also comes off as a friendless misfit and kind of a hotep, the Uncle Ruckus of the Supreme Court. Thomas has never faced the threat of death for his beliefs, but of course he thinks he has, and Created Equal wades deeply into his martyrdom (and the sufferings of poor Ginni! ) at the hands of foolish Anita Hill, wicked Ted Kennedy and idiotic Joe Biden – thirty years later, he’s still clearly not over it and wants the viewers (those MAGA kids for whom this is all new information) to be likewise aggrieved. Thomas’ retelling of his origin story does hold some interest, decorated here by gorgeous landscape shots and archival imagery heavy on the Spanish moss, soundtracked by Johnny Mercer. From the free and joyous rural poverty of tiny Pin Point to corrupt urban squalor in Savannah, young Clarence is saved when taken in by his strict, illiterate yet morally faultless grandfather – an upbringing that sounds grim and traumatic, but laid out here as a precursor to the justice’s admirable stoicism and steely determination. The school of hard knocks tees up his isolation and insensitivity in adulthood; Thomas enters Catholic seminary, quits in the wake of shocking racism, is then kicked out by his grandfather, and looks back on all of this as necessarily formative. He goes through a bitter Black Power phase in college up north, then recoils and literally falls to his knees in repentance. Then he goes through Yale Law bearing what he perceives as the burden of discrimination (he can’t get a good job because he’s black), and onward and upward on what empirically is a meteoric career trajectory but to him is a trail of tears. One wants to reach through the screen at the end of this narcissistic exercise, grasp his shoulders and give him a good shake: “Get a grip, man. You’re Clarence Thomas. ” A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands. Support the Chronicle ACL Live at the Moody Theater.

Free movie created equal: clarence thomas in his own words printable. George Soros had Justice Scalia assassinated because he knew he was an enemy of the left. Free Movie Created Equal: Clarence Thomas in His Own words of love. Truth. WOW God don't like ugly. Clarence Thomas I feel yah! I became a Christian at 19 in 1995 while in the Marine Corp best desicion I ever made.

Free Movie Created Equal: Clarence Thomas in His Own words on the page. What a dumb movie. anyone with eyes open knows that the catholci church discriminates, hates women treating them as lesser beings, and has never stood for humanity, peace or unconditional love because if it had it would never have killed millions of people since its inception. if anything the catholic church should be held accoutingable for the crimes it has committed against humanity and Mother Earth. Thomas response was epic, a modern day lynching. Great man and Great supreme court justice Mr. Thomas. Thoroughly enjoyed this. Excellent acting and script and some compelling legal arguments in support of its thesis. Particularly liked the comparison with the Mormons and polygamy. Thanks for uploading.

Free movie created equal: clarence thomas in his own words youtube. Created Equal: Clarence Thomas in His Own Words Reviews Movie Reviews By Reviewer Type All Critics Top Critics All Audience Verified Audience February 21, 2020 The whole idea of the movie is to show Thomas as an avuncular gentleman of high principles and ideals... There's no pretense otherwise, and though I guess you could call this agitprop, it's a very honest kind of agitprop. February 18, 2020 His is a uniquely American journey, and a glimpse into the mind and making of such a towering figure shouldn't be missed. February 8, 2020 "Created Equal" is structured as a monologue of self-justification, a two-hour infomercial for the decency, the competence, and the conservative role-model aspirationalism of Clarence Thomas. February 6, 2020 With its shrewdly chosen archival clips and lack of opposing voices, this lengthy, often tone-deaf section (especially from today's #MeToo vantage point) plays as if Thomas simply wanted his say for a new generation and got it... February 4, 2020 A two-hour unperceptive documentary leaves the quietest man on the Supreme Court no less an enigma than before the opening credits rolled. February 1, 2020 One of the most controversial political subjects of his generation is thus afforded an unduly sympathetic portrait - but how else would Pack have been able to get Thomas to sit still long enough for the interview portion of our program? January 31, 2020 Filmmaker Pack is a partisan hack and this is artless political agitprop. It's very competent and primarily consists of a lengthy interview with Clarence Thomas... It's worth seeing. It doesn't give any time to opposing viewpoints, but it's not designed to. A frustratingly opaque look at a frustratingly opaque man and his equally clouded legacy. Maybe silence was better. Unabashedly a self-portrait, with all the limitations that entails; but Thomas has led a fascinating life, and Pack's film gives him free rein to reflect on it in his own way. Somehow, we come away from the movie understanding its subject even less than when it started. January 30, 2020 Justice Thomas shares how he survived a 'high-tech lynching' while exploring his complicated past. About as revelatory as a campaign ad. January 28, 2020 Thomas may be the most famously silent public figure since Calvin Coolidge. But he has much to say in Michael Pack's excellent documentary Created Equal: Clarence Thomas in His Own Words. It's meant as an opportunity for Thomas to have his full say, without challenge.

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